Monitoring

– Adam S3a / Sub10
– Yamaha NS10 / PC2002
– Presonus Central Station
– Sennheiser HD25                  (4x)
– Beyer DT770 Pro                   (2x)
– Mackie HMX56                      (6 Ch.)

DAW

– Pro Tools HD 10 TDM
– Mac Pro 12-core
– Lynx Aurora 16                      (2x)
– Midi emagic Unitor 8

Preamps / EQs

– API 312                                      (8x)
– BAE 312A                                    (2x)
– AMS NEVE 1073LB                        (3x)
– CHANDLER TG2                          (2x)
– CHANDLER GERMANIUM PRE
– Great River MP-500NV               (2x)
– John Hardy M1                          (6x)
– Creation Audio Labs MW1
– Little Labs Redcloud                 (16x)
– API 560 EQ
– Filtek MK3 EQ                             (2x)
– IGS Rubber Bands 500 EQ
– NTP 182-150 EQ                            (2x)

Microphones: Ribbon / Dynamic

– AKG D12E                   (2x)
– AKG D112
– Audix D6
– Beyer M88
– Beyer M160
– Beyer M380NC
– Crowley & Tripp Naked Eye
– Coles 4038                (2x matched)
– EV RE-20                   (2x)
– Royer 121
– Sennheiser 441
– Sennheiser 421          (4x)
– Sennheiser 409/509   (2x)
– Shure SM7
– Shure SM57              (5x)
– Shure Beta 52
– Shure 520DX
– Yamaha NS10 Sub KiK

Microphones: Tube / Condenser

– AKG C414 B-ULS
– AKG C451 EB-CK1                (2x)
– Audio Technica AT4047
– Beesneez Tribute 1
– Neumann U87 `71
– Neuman Gefell CMV 563 / M7S
– Neumann KM84 `82            (2x matched)
– Sony C-48                         (2x matched)
– Sony C-37 FET `69

DI-Boxes

– Radial J48 Aktiv DI              (2x)
– Radial JDI Passiv DI
– Radial JDV MK3 DI
– Creation Audio Labs MW1

Dynamics

– Chandler Germanium Compressor
– Empirical Labs EL8 Distressor
– Purple Audio MC77
– Mohog MoFET76
– IGS Volfram Stereo
– IGS OneLA 500
– Serpent SB-4001 Stereo
– NTP 179-160 VCA Comp.          (2x)
– DBX 560A                             (2x)
– J-Lab JLA3
– Igor’s Mixbuzz 500 Stereo

Reverb / Effects

– Lexicon M300
– Lexicon PCM 91
– TC Electronic M-5000
– Eventide H3000
– Yamaha SPX 90

Guitars

– Gibson Les Paul Custom ’74
– Fender USA Stratocaster ’79
– Fender USA Telecaster ’95
– Peavey T-40 Bass ‘80
– Washburn WD20SCE Akustik
Ibanez 12 String Akustik ’74
– Guitar Banjo

Amps

– Marshall JMP50 “Plexi” ’69
– Marshall JMP 2203 MkII Master Lead ’78
– Fender Bassman 6G6-B ‘63
– Music Man 212 HD 130 Combo ́76
– Dynacord Twen II `74
– Orange Tiny Terror
– Vox Pathfinder 15

Cabs

– Marshall 1982A 4×12 ’68
– Marshall Lead 1960B 4×12 ’77
– Orange PPC412
– Orange “Thin” PPC412 ‘69
Vox 2×12 (Blue Bulldog)
– Music Man 212 HD ’76
– Fender HP Twin Style 2×12
– Engl E412 Pro
– Mesa Boogie Rectifier 2x12H

Drums

– Ludwig Super Classic ´69
      22“, 12“, 13“, 16“
– Yamaha Recording Custom ‘80s
      22″, 10”, 12”, 14”, 15”
– Ludwig Supraphonic 6,5” Anniversary
– Ludwig Super Sensitive 5” ’71
– Ludwig Supraphonic 5” ’80
– Ludwig Acrolite 5” ‘80
– Yamaha Maple Custom 5,5”
– Zildjian 14” New Beat Hi Hat ’70s
– Zildjian 15” New Beat Hi Hat ’80s
– Paiste 2002 “20 Ride ‘81
– Paiste 2002 “18 Medium Crash
– Paiste 505 “18 Crash

Pedals / Tools

– Electro Harmonix Echo Flanger ‘70s
– Electro Harmonix Electric Mistress ‘70s
– Ibanez TS9 Tubescreamer
– Electro Harm./Sovtec small stone ‘90s
– Boss OC-2 Octave
– Tech 21 XXL Drive
– Dunlop Cry Baby ‘70s
– Vox VX Wah
– Creativ Audio Labs MW1 Studio Tool
– Radial SGI Studio Guitar Interface
– Palmer Cab Merger

Keys

– Fatar Studiologic 990 Masterkeyboard
– Hammond Aurora Classic w/ Leslie 760

innerear Tonstudio

Schloßberg 19

75175 Pforzheim

+49 177 279 8489

info@innerear.de